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Tangible T4 Editor Pro' title='Tangible T4 Editor Pro' />Thoughts and Provocations Stephen Unwin. If 2. 01. 6 has shown us anything, its that Britain and the States are bitterly divided societies. Demagogues like Farage and Trump, supported by their alt right peoples army, claim that the liberal elitealong with immigrants and anyone who looks differenthas devoured everything in sight, leaving ordinary men and women with nothing but bones to gnaw on. They overlook the fact that the actual elitepeople of real power and influenceconsists of a tiny number of the filthy rich financiers, media owners, hedge fund managers, as well as the demagogues themselves and that the liberals people whove voluntarily read at least one book, apparently arent quite as pampered as their propagandists suggest. Whats more, although they defied the polls and won, they did so with small majorities Hillary Clinton won the popular vote. But this is an alarming development which needs to be taken seriously. The American philosopher Richard Rorty predicted it almost twenty years ago when he wrote that one day the nonsuburban electorate will decide that the system has failed and start looking around for a strongman to vote forsomeone willing to assure them that, once he is elected, the smug bureaucrats, tricky lawyers, overpaid bond salesmen, and postmodernist professors will no longer be calling the shots. Not many of us are tricky lawyers or overpaid bond salesmen, but we should, I suggest, ask whether we recognise in ourselves Rortys smug bureaucrats or postmodernist professors. Theyre deliberately unattractive figures, but useful surrogates for something bigger. Whatever our answer, what can we do Well, most importantly, were right to be appalled by the racism, resentment and blinkered nationalism that Farage, Trump and their pals have stirred up, which has been picked up by the army of resentful little Englanders and America First fans who lurk threateningly in the wings. Our essential first task is to use our voices, talents and numbers to oppose as forcefully as we can their threats to the hard fought rights and freedoms of all people in both countries. No pasaran, we must declare defiantly, and ensure that these vile demagogues fail and are seen to fail. At the same time, however, we should acknowledge that beneath this toxic surface lurk real social problems, above all the great divide between the generally well educated and relatively prosperous inhabitants of the big cities and university towns, and the poorly paid and often unemployed or retired people who live in market towns, seaside resorts and the remote countryside. In our righteous hatred of far right politics we can too easily overlook the poverty, under investment and substandard education which have combined to create it, and which even now are leading people to abandon Labour for UKIP. Tangible T4 Editor for Visual Studio 20102012201320152017 adds great intellisense support for T4 Text Template based Code Generators. I have been lucky enough to call Stephen Unwin my friend for the last few years. Since we met weve worked together in numerous contexts professional and academic. Stealth Euthanasia Health Care Tyranny in America Hospice, Palliative Care and Health Care Reform. Its a problem that was faced by the left in the 1. So what are the implications on culture, especially the little world of art theatre Well, first, I think we should acknowledge just how inward looking are the temples of culture that we patronise so eagerly, how sealed off from so many peoples experience is the art theatre that we care about so much. Of course, huge efforts have been made to broaden accessibility and no one is deliberately turning people away, but the fact remains that much of the most critically acclaimed work takes place in extraordinarily exclusive places, to a very narrow audience base. Is this the inevitable nature of this antiquated and technologically backward art form Perhaps. But as of 2. Of course, we dont all work in boutique theatres, and many artists are trying to reach out, whether through touring or regional theatre, or the community work that exists, or in higher education and adult learning, and we should give them the attention, support and validation that they need and richly deserve. But this, too, should be questioned, as I know all too well from personal experience. Shahrukh Khan And Kajol Video Songs more. When I set up ETT in 1. Advanced System Care 5 2 Key Lockbox there. Crewe and Harlow, Blackpool, Darlington, Eastbourne and Wolverhampton all Vote Leave in the referendum. But as we got more successful we decided that our job wasnt to prop up theatres that were struggling to get an audience, and confined our visits to places that evidently wanted us. And so our social reach narrowed, focussing on university and spa towns like Oxford and Cambridge, Brighton, Bath and Malvernall solidly Remain and very much homes of the despised liberal elite. I feel in retrospect that the Arts Council should have held our feet to the fire. But instead the divide just deepened, and we never went back to Crewe. And then we should consider the shape of the work itself. The arguments about formalism, realism and the popular go back to the Frankfurt School but the common assumption is that the debate is settled and that the avant garde has won. But its hardly surprising that an audience brought up on soap operas and cop dramas should feel alienated from the icy abstraction of so much contemporary theatre, and I was struck to hear someone ask of the cinema showing why none of the characters in Ivo van Hoves much hailed production of A View from the Bridge were wearing shoes. We can dismiss the question, or engage with it in a meaningful way on its own terms. The choice is ours, but it does reveal something of our deeper allegiances. Finally, we should examine the nature of the work we create whether new plays or classical revivals, and ask of it some pretty fundamental questions. Does it help explain the kind of values that we care about or does it, rather, take those for granted, as a condition for an entrance ticket Does it do anything to describe the divide that so disfigures our countriesMost importantly, perhaps, does it explain the circumstances that have allowed the return of the right, and help us understand how this could have happened. Very little of the work Ive done has begun to do this, but I suspect that its only by exploring the contradictions that led to 2. The underlying question, I think, is simply put if we maintain, as most of us do, that culture shows the existence of different ways of thinking about the world, and exposes prejudice, injustice and lies for what they are, how can we ensure that the art that we claim to care about is seen not just by people like us, but the other half too If we despise the current turn to intolerance, to prejudice, to fantasy, to simplification and lies, shouldnt we do everything we can to share our values, insights and ways of thinking with the people who disagree with us Culture matters, and the demagogues, with their armies of amateur but deadly spin doctors, are using it for their own aims. Its time we took it back. And here we should, perhaps, go beyond our fastidious concern not to lecture people, and re evaluate the great moment of post war cultural evangelism, which produced the BBC, Penguin Books, Ernst Gombrich and the new Arts Council, as well as the popularisers of the 1. If this was, by modern standards, shockingly pale, stale and male, it did at least believe that everyone should have access to the great art of the past and the most challenging and significant work of the moderns.